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Chris Stein / Negative: Me, Blondie, and the Advent of Punk, by Chris Stein
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Review
“Since Blondie formed 40 years ago, one thing has remained constant: if the band’s co-founder Chris Stein isn’t onstage with a guitar slung around his neck, chances are he’s off somewhere with a camera, taking pictures. Now, the results of his four-decade-long hobby have been compiled in a new book, Chris Stein/Negative: Me, Blondie, and the Advent of Punk…Though the photographs in the book span the band’s four decades, they’re rooted mostly in the punk scene that emerged in the ’70s and ’80s, paralleling Blondie’s rise. Looking at them, it’s easy to imagine how much fun the duo had not just making pictures, but also making music. The pictures…capture the essence of a lost, romantic moment in New York history.” –New York Times T Magazine"[One of the] best books of the year" –American Photo “…Chris Stein/Negative: Me, Blondie, and the Advent of Punk, an art book being published to coincide with the band’s 40th anniversary. The book contains scores of photos, many of them never before published, of Blondie, the Ramones, the Talking Heads and other pioneers of the 1970s New York City rock scene. That aesthetic comes through in Stein’s unfussy, mostly black-and-white images, which capture Harry, David Bowie, Joan Jett and other musicians in spontaneous, revealing moments.” –CNN “In 1974, New York City was the home to a potent burgeoning punk and new wave scene. Blondie’s Chris Stein was there for all of it: his guitar in one hand, his camera in the other. As Blondie celebrates its 40th anniversary, Stein is releasing his first book of photographs, Chris Stein/Negative: Me, Blondie, and the Advent of Punk, which documents his life on stage, on the road and at home, including portraits of his friends who made the downtown scene: Iggy Pop, David Bowie, Andy Warhol, Joan Jett, Jean Michael Basquiat and many more.” –Time Magazine “To commemorate the 40th anniversary of Blondie, Chris Stein is releasing his treasure trove of his photographs from the New York City music scene of the 1970s and early 1980s in his new book, Chris Stein/Negative: Me, Blondie, and the Advent of Punk.” –Smithsonian “Hearken back to the era of punk and new wave music with these snapshots. Chris Stein was at the center of the burgeoning punk/new wave scene in 1970s New York City as the lead guitarist for Blondie. Cutting edge bands such as Talking Heads, the Ramones and Television were establishing their sound at clubs like the now-defunct CBGB. And as a member of one of the leading groups on the scene and a recent photography graduate of New York’s School of Visual Arts, Stein was uniquely positioned to document the musical pioneers of that time and place.” –Hollywood Reporter “…Chris Stein, has released a new photography book remembering its glory days. Though Stein claims to have thousands of photographs in his archives, the way he describes his photographic process is surprisingly casual. Chris Stein / Negative: Me, Blondie, and the Advent of Punk, chronicles the early punk scene, featuring not only rare photos of Debbie Harry, but also Joan Jett, Iggy Pop, the Ramones, and Andy Warhol.” –New York Magazine“Blondie guitarist and songwriter Chris Stein released the almost self-titled Chris Stein / Negative, a handsome photobook featuring shots that begin in the mid-Seventies and end with a picture of Debbie Harry and Philip Glass taken at Lou Reed's memorial service.” –Rolling Stone Magazine"Less than a month after the release of Chris Stein/Negative: Me, Blondie, and the Advent of Punk, the coffee table debut from Blondie's co-founding member went on backorder. In case there was any doubt, that's how beloved they still are—40 years into their career." –Vice"Chris Stein/Negative: Me, Blondie, and the Advent of Punk, culls from Stein’s private collection going back to the early 1970s, with cameos by the Ramones, Joan Jett, Iggy Pop, and William S. Burroughs, among others. Harry, though, lures you in, every inch the glamorous rock star but also at ease in candid settings. " -Boston Globe"I’m loving the new book of largely never-before-seen Blondie photographs from Chris Stein, out now from Rizzoli. So. Cool. " –The Fashion Spot "On the occasion of the band’s 40th anniversary year, Chris Stein/Negative: Me, Blondie, and the Advent of Punk offers a revealing look back at one of the most trailblazing and influential bands of our time and the punk scene that they pioneered. From Blondie’s early days, to their world travels and sold-out shows, to their legendary musical counterparts, it is all shown from the inside view of Chris Stein." -Life and Times"Along with the iconic Debbie Harry, Chris Stein is the driving force behind the influential ’70s punk/New Wave group Blondie. In addition to his talents as a guitarist and songwriter for the group, Stein is an accomplished photographer, as demonstrated in this new book. It not only features photos of Blondie throughout the ’70s to mid-80s, but also captures the mood and feel of New York City in throes of the punk rock scene defined by landmarks such as CBGB and the Mudd Club. The book also includes photos Stein took of city scene-sters like Basiquat, Richard Hell and Stephen Sprouse as well as fellow bands such as the Ramones, the New York Dolls, and Siouxie and the Banshees." -Brooklyn Based“With this anniversary, Chris Stein, guitarist for the band, has released his book, showcasing a grungier New York and documenting Blondie’s road to success. While Debbie Harry, singer for Blondie and Stein’s former girlfriend, remains the star of this book, Stein also captured some of the most influential punkers and rockers to come out of NYC’s music underground. Every picture tells a story, and along with his snaps, Stein has plenty of stories.” –NewYork.com
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About the Author
Chris Stein’s work has been featured in galleries and press around the world. Deborah Harry is the iconic lead vocalist and cofounder with Stein of Blondie. Glenn O’Brien is the author of How to Be a Man and writes about art, fashion, love, and philosophy.
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Product details
Hardcover: 208 pages
Publisher: Rizzoli (September 23, 2014)
Language: English
ISBN-10: 0847843637
ISBN-13: 978-0847843633
Product Dimensions:
9 x 1 x 12 inches
Shipping Weight: 3.3 pounds (View shipping rates and policies)
Average Customer Review:
4.9 out of 5 stars
48 customer reviews
Amazon Best Sellers Rank:
#502,720 in Books (See Top 100 in Books)
I must confess, I am pretty much a lifelong fan of Blondie. I was 11 years old in 78 when i first heard Heart Of Glass on AM radio, growing up in Florida. I was brought up on country music and up to that point, obsessed with another blonde, Dolly Parton. Until I laid eyes on the first image i'd ever seen of Debbie Harry. My world changed after I discovered Blondie. I read every magazine article I could find about them, mostly Creem Magazine stuff. Through Blondie I discovered so much more. Ramones, The Talking Heads, The Pretenders, Devo and more, Punk music that most of my peers didn't even know existed. Images of Debbie Harry have been a part of my life for the last 36 years. I've been looking forward to this books release for awhile now, but I thought I've seen most of these images before. From internet articles about the book, many of the images in this book were used in "Making Tracks, The Rise and Fall Of Blondie" By Debbie Harry, Chris Stein and Victor Bockris (Another Great Book). I was wrong. So many images new to me, and not just of Debbie, but some amazing pictures of other artist like you've never seen them before( Joan Jett, for instance). Chris Stein is a noted photographer and historian, there from the very beginning of the New York Punk Rock scene. He is of course also the guitarist and founding member of Blondie and with Debbie, chief songwriter. If you know anything about the New York Punk scene you've seen Chris Stein's pictures before. Negative is a must have for anyone who has an interest in the birth of Punk. The pictures are amazing, but the captions written by Stein are really a fun read. Remembrances of each photo, what was going on at the time and sometimes anecdotes about the subject. Kindly remembering some who are no longer with us. So yeah, I'm a fan and always will be. I'm not just a Blondie fan though. I'm a bit of a Punk historian myself and this book is something I will treasure. Thank you Mr. Stein for giving us this book, not only showcasing your photographic talents but also helping to commemorate 40 years of Blondie and 40 years of punk.
A criminally underrated photographer, and a criminally underrated book. Chris has an effortless ability at capturing amazing shots, and while that's interesting - the internet has made us desensitized to amazing photography. We expect access, and intimate shots of our heroes are no longer special. That's an unfortunate reality. Chris' book goes a step further than providing said access and intimacy, by his accompanying words to go with the photos. It reminds me of Kirk Hammett's "Too Much Horror Business" book. I'm not the biggest horror fan, but Kirk's words alongside the incredible pieces in his collection made the book incredible. The same is true here, although I'm admittedly a fan of everything and everyone Chris shot. The point being, it's not only a collection of amazing photos, but Chris' recollections of each shot are what make this book so great -- and what makes it stand out from many, many other photo books.
Blondie rocked my world in a way no other band before or after has. Rock 'n roll had become something huge. Something almost unwieldy in its giant, self-important social relevance. Disco created a hopelessly vapid environment where people could meet, dance, mate and move to the suburbs to raise their kids. Punk was something else entirely. Punk was an arrogant upstart that didn't know its place and didn't care."Chris Stein/Negative" chronicles that moment in time when punk hurled itself into our collective consciousness. There is a distinct visual quality to punk that is almost as important as the music. The look of punk was put together at a thrift store and held together with safety pins. It was inspired by B-movies, cartoons, stuff fished out of the bargain bin and junk found at the back of grandma's closet. Punk was born out of poverty, anger and the urge to create. All performed against the background of the dirty, depressed late 70's, before urban renewal priced everybody out of the cool places. Chris Stein captures that in this book. There is a picture in this book that explains the impact of punk and Blondie. Clem and Debbie walking down a street looking wildly distinct from their surroundings and people turning to stop and stare at them. ("People stop and stare at me...". Sing it. Go ahead. You know you want to.) Stein ruminates as to whether people were staring at them because they recognized Clem and Debbie, or because Clem and Debbie looked remarkably like they'd just arrived from a hipster 2013 fashion show. It is all there in one photograph. The incredible impact of punk announcing its irreverent arrival at the end of the 1970's. The future. Chris Stein managed to capture that impact in one picture. That's why you need to buy this book.
A great book with fantastic insights both in text and photos of a unique pop culture - the beginnings of the punk rock movement.And if you love the visage of Deborah Harry there are some truly iconic images of her, for she is truly one of the most beautiful women of the 20th century.The product is of very high quality. Ordering and delivering were top notch via Amazon Prime. The book came shrink wrapped so there were no cosmetic book cover issues.Those folks that were part of this rock revolution were very talented, smart and this book gives an insight into those iconic New York musicians that gave us so much enjoyment.
If you have any interest in the 70s punk scene you must check out this book! Not only is it full of AMAZING photos, including many of Debbie Harry, but Chris Stein's comments and memories that accompany the photos are just plain great. I have several coffee table books on punk including the history of CBGBs and The Best of Punk Magazine but this is my new favorite!!
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Audible.com Release Date: May 22, 2018
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About the Author
Dallas Galvin, a writer and journalist specializing in international affairs and the arts, has reported on military affairs in Latin America and Asia and produced documentaries for the NATO Alliance.
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Excerpt. © Reprinted by permission. All rights reserved.
From Dallas Galvin's Introduction to The Art of War War is a howling, baying jackal. Or is it the animating storm? Suicidal madness or the purifying fire? An imperialist travesty? Or the glorious explosion of a virile nation made manifest upon the planet? In all recorded history, this debate is recent, as is the idea of peace to describe an active state happier than a mere interregnum between fisticuffs. Astounding as it may seem, war has consistently won the debate. In fact, it never had serious competition-not until August 24, 1898, anyway, when Czar Nicholas II of Russia called for an international conference specifically to discuss "the most effectual means" to "a real and durable peace." That was the first time nations would gather without a war at their backs to discuss how war might be prevented systematically. Nicholas was successful. His first Peace Conference was held in 1899. It was followed by a second, in 1907. These meetings gave rise to a process in which the world gained a common code of international laws. It was a moment when peace and the trials of war were under the microscope of the civilized world. Off in a very quiet corner of this stage, there also appeared two scholars: one, a ghost, Sun Wu-this is Sun Tzu's actual name; Sun is the family name, and Tzu an honorific-a member of a Chinese clan of experts on arms and fighting, who had lived some 2,400 years earlier; the other, a librarian and student of the Chinese classics, Lionel Giles, who published his translation of The Art of War in 1910. He, too, was a son of eminence-his father was the great sinologist Herbert Giles-and he transported Sun Tzu's urgent injunctions on the nature of war across vast reaches of time and culture; the task was extraordinary, the impetus behind it almost saintly. The influence of the work of these two men colors our lives even as this text is written. But it did not come without effort, and even today, with a century of English-language scholarship on Asian literature, religion, and societies behind us, there is still much to puzzle the general reader. World War I and its carnage would soon burst upon the world, leaving an estimated 25 million dead, twice the tally for all the wars of nineteenth-century Europe. Nicholas and his entire class would disappear amid the terrors of revolution in Russia, China, and Mexico, to name but the grandest uprisings. World War II would follow with no fewer than 60 million dead, and on its heels a whirl of wars for independence, civil wars, and the surrogate wars of Vietnam, Korea, Africa, the Balkans, and the Middle East-all in all, a century-long testament to the failure of humanity's best intentions. It would be an odd soul who did not find himself feeling as Abraham Lincoln did in his Second Inaugural Address, on March 4, 1865, as the American Civil War was ending: "Fondly do we hope-fervently do we pray-that this mighty scourge of war may speedily pass away." Yet it takes little experience to understand the futility of belligerence alone, as Sun Tzu wrote: "[H]e who is destined to defeat first fights and afterwards looks for victory" (chap. IV, paragraph 15). On the world front or the level of the individual, the issue is not force, not arms-it is strategy. In his study of Mao Tse-tung, modern warfare's most ardent student of Sun Tzu, Robert Payne notes: "Sun Wu's ideas on war are exceedingly adaptable, . . . nearly all of them demonstrating how the commander of a small force can overcome a powerful enemy, given suitable conditions of his own making. These apothegms have a peculiarly Chinese flavor, hardheaded, deeply philosophical, often showing a disturbing knowledge of the human soul under stress" (Robert Payne, Mao Tse-tung; see "For Further Reading"). But how did Sun Tzu know what he knew? Where did he get his information? Can we trust it?
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Product details
Paperback: 256 pages
Publisher: Barnes & Noble Classics; Reprinted edition edition (May 1, 2003)
Language: English
ISBN-10: 1593080174
ISBN-13: 978-1593080174
Product Dimensions:
5.2 x 0.6 x 8 inches
Shipping Weight: 7.7 ounces (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
5,992 customer reviews
Amazon Best Sellers Rank:
#484,669 in Books (See Top 100 in Books)
The Baron Antoine Henri de Jomini's "The Art of War" is an early classic on military strategy and tactics. With von Clausewitz, he was one of the more widely read scholars on the subject in the 19th century. His book tends to have an abstract, scholarly air to it that suggests that he was more of an "arm chair" theorist than a man whom he learned much from--Napoleon Bonaparte. Napoleon may have had general perspectives on warfare, but he was also someone who was able to be improvisational on the battlefield, and Jomini cannot quite capture that in this work. Nonetheless, a classic.Charles Messenger's Introduction does single out Jomini for mention, when he notes (Page v): "Nineteenth -century military thought was dominated by two men, one a German and the other a Swiss. . . . They were von Clausewitz and Jomini." Jomini argued that (Page vii): "Strategy decodes where to act; logistics brings the troops to this point; grand tactics determines the manner of execution and the employment of the troops."As Jomini's actual work begins, he identifies the six key components of the art of war (Page 2):"1. Statesmanship in its relation to war.2. Strategy, or the art of properly directing masses upon the theater of war, either for defense or for invasion.3. Grant tactics.4. Logistics, or the art of moving armies.5. Engineering--the attack and defense of fortifications.6. Minor tactics."The book itself, then, considers these elements of the art of war. No need to go into great detail. But some general points are in order. At one point, he emphasizes the importance of "lines"--interior lines, where one side has a more compact line and can move troops from one point to another with greater facility than the enemy; exterior lines, which are longer. If a smaller force, interior lines are critical; if a larger force, exterior lines may prove no impediment to success.One facet of this book is his diagrams depicting various orders of attack (pages 188 and following). This tends, as noted earlier, to be pretty abstract. One hesitates to think that officers in the heat of combat will intellectually assess the various orders of attack and rationally choose one over another. Among these are straight linear orders (where the two forces approach one another in straight lines) to "en echelon" attacks, where the lines are arrayed in depth.He notes in his conclusion that (Page 321) "War in its ensemble in not a science, but an art."So, if one might be interested in an analysis of military strategy and tactics from the early part of the 19th century, this is not a bad starting point. It is a classic on the subject, and, even if too abstract and academic, can be a useful book to understand the military in that era.
I want to tell future readers of this book in this way. I read it first when I was 14 or 15. I thought it was a book on how to smartly fight a war. Then I re-read it when I was 28 and it occurred to me that it may be an instruction book on how to navigate an honorable life. Years passed and I recently found it at the bottom of a box in my closet. I read it again at age 56. I realized it has more to offer. If you read this book, you will actively have to replace Sun Tzus' ancient terms and placement of hierarchy and apply them to modern situations and people. Family, bosses, neighbors, employees and the list goes on. It is my belief that this "manual" can help solve minor and major disruptions in life if used correctly. It is a book meant for good.
This is a ~15 page "summary" of the book. Ordered this thinking it was the full text because it doesn't say otherwise in the description.
It’s clear that Mr. Gagliardi is extremely passionate about all things Sun Tzu. Through various repackaged books sold both here at Amazon and through the “Science of Strategy Institute†he set up to sell you Sun Tzu themed board games and videos, he has certainly created a virtual cottage industry of Sunzi-phernalia. In addition, he also offers personalized training packages for up to $1,500 to amp up your ability to unleash the power of Sun Tzu’s system of total and complete victory in all competitive endeavors you face, whether in the boardroom or the bedroom.But all of this aside, how successful is Mr. Gagliardi at his most basic task: competently translating Sun Tzu’s original text, The Art of War? The answer: not very.This book is a complete mess, with unforgivable errors in both translation and general knowledge concerning China and the Warring States era present in almost every verse. In lieu of a laundry list I will give you just a one line example where Mr. Gagliardi clearly shows that he is out of his depth in terms of translation competence. I maintain a database of 30 translations of The Art of War in English that I use to compare and contrast various efforts, and included the screenshot of the relevant verse so you can compare it to how others have approached the text.In Chapter 11, Sun Tzu is concerned that his own soldiers might either break and run or else refuse to support the other flanks of his own army while in battle. To show how this can be remedied, Sun Tzu brings up the example of how a certain snake can provide a valuable lesson for his soldiers. As Gagliardi translates it, the line reads: “Act like an ordinary mountain snake.â€From a novice’s perspective, this could be a defensible translation choice. The original Chinese characters for this line are: CHANG SHAN ZHI SHEIf you looked up each character individually via the internet you could definitely make a case that the line could read: ordinary mountain (of) snakeThe problem is that professional translation doesn’t work this way (a one-for-one translation of characters), and you have to understand all of the nuances applicable to how these thoughts are put together, especially when you are talking about a millennia old text written in a language vastly different than its modern equivalent. What a competent Sinologist would easily understand, but Gagliardi obviously didn’t, is that the character CHANG isn’t functioning as an adjective modifying the noun “snake,†but instead is the proper noun indicating the name of the mountain on which the snake resides. So the line should read: “Act like the snake of Mt. Changâ€So while Gagliardi is perfectly content in his own ignorance that Sun Tzu is talking about an ordinary snake, what the text is really saying is that he needs his soldiers to be like an EXTRAordinary snake which possesses the magical ability to continue providing support to its endangered other half even after being cleaved into two separate parts.Now if you are looking to really get beyond the basics of the translation (say like someone who is willing to shell out $1,500 for advanced personal lessons) and might be curious where this Mt. Chang is located and why it was relevant to Sun Tzu, you might be surprised. Sun Tzu never actually mentioned Mt. Chang, but instead was referring to a Mt. Heng, where this extraordinary snake supposedly lived (by the way, Sun Tzu gave the snake a name, the Shuairan, a fact that was completely missed by Gagliardi). It turns out that the oldest extant copy of the Art of War was transcribed during the Han Dynasty period. What professional Sinologists know but Mr. Gagliardi might not, is that in classical Chinese there was a prohibition on using characters that were the same as the personal name of the sitting emperor. At around the same time as we believe the earliest version of The Art of War was transcribed, Emperor Wen of Han was sitting on the throne and had a personal name of “Liu Heng†which means that “Heng†would need to be omitted from all texts. “Heng†actually means “Perseverance†and it turns out that “Chang†also carries the meaning of “Perseverance†so Mt. Heng was changed to Mt. Chang to get around this prohibition—an interesting tidbit for your next trivia night.Of course the name change does nothing to impact your understanding of the Art of War, but does illustrate the difference between buying a copy of the The Art of War from a professional Sinologist who understands both the translation issues and can provide relevant historical and philosophical background, and the rank amateur who does this for a hobby and wants to pass off an inferior product hoping you won't know the difference. There are too many professionally done Sun Tzu translations available by qualified individuals (Ames, Griffith, Sawyer, Ivanhoe, Mair, Minford) to justify paying the same amount of money for Mr. Gagliardi’s lackluster effort.You wouldn’t select a surgeon for your triple-bypass surgery simply because he was “passionate†about cutting people open and learned some things on the internet. You would want to select someone who has years of relevant professional experience under their belt, and just as important, board certified. Fortunately, the stakes aren't quite so high when choosing the best Sun Tzu translation, but the same principle should apply. Don't be an ordinary purchaser of this classic text, be an extraordinary one.
Just received the book. No where in the description does it say it is a shortened version of the book. I feel like I was ripped off
NOT THE FULL TEXT....these are the cliff notes......product page sucks.
This is ABSOLUTELY AWFUL. It should say PUBLIC DOMAIN as it is like a copy from someone who took notes off of someone who took notes who took notes off someone who doesn't even write in the English language! It is woefully abridged (to the max) looks like it was not edited or proofread and I loathe it. AWFUL AWFUL AWFUL
The author adds his own knowledge along with Sun Tzu's. And the author's additions are excellent. You might find Sun Tsu on the net in PDF or something, but I wanted a book form and the author was a pleasant surprise for his own good knowledge on these matters. Its a fairly short book, but that it compares so much with modern warfare and intelligence wars that you should get to know it.
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