Free Ebook The Brazilian Sound: Samba, Bossa Nova, and the Popular Music of Brazil, by Chris McGowan Ricardo Pessanha
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The Brazilian Sound: Samba, Bossa Nova, and the Popular Music of Brazil, by Chris McGowan Ricardo Pessanha
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From Library Journal
Two new books on popular music present contrasting approaches to the diverse world of Hispanic music. Aparicio's (Spanish and American culture, Univ. of Michigan) work, aimed at an academic audience, deals with salsa and Puerto Rican culture in a feminist context. McGowan, targeting a general audience, presents a comprehensive history of popular music in Brazil. Aparicio analyzes salsa, boleros, and other popular musical forms in terms of cultural issues (race, gender, class), drawing on her own experiences, and those of typical listeners, to explore these issues. Readers may find their views on salsa altered by reading this book. A recommended choice for academic Hispanic studies collections and for music collections with a strong Hispanic emphasis. McGowan and Pessanha here update their original edition (Billboard Bks., 1991), bringing their extensive experience writing on Brazilian popular music for Billboard and other magazines to this extensive survey covering local jazz and rock as well as better-known forms. The accessible writing style and lavish use of illustrations help achieve the authors' goal of inspiring interest in this music. Updates cover recent music and musicians, provide more social analysis, and expand the discography to 1000 titles, adding much to the original edition. The best work on the topic, this is recommended for both academic and public library music collections.?James E. Ross, WLN, SeattleCopyright 1997 Reed Business Information, Inc.
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From the Publisher
An encyclopedia survey of Brazilian popular music
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Product details
Paperback: 229 pages
Publisher: Temple University Press (January 22, 1998)
Language: English
ISBN-10: 9781566395458
ISBN-13: 978-1566395458
ASIN: 1566395453
Product Dimensions:
6.8 x 0.2 x 10 inches
Shipping Weight: 1.2 pounds
Average Customer Review:
4.6 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#1,947,609 in Books (See Top 100 in Books)
"The Brazilian Sound" is THE book on Brazilian popular music, valuable to both neophytes and aficionados of the magnificent music of Brazil. Arguably the world's most musical nation, where music is the very fabric of life, Brazil influences musical styles worldwide. This book is thorough yet concise, with tons of photos, a priceless primer as you explore the genres and legendary musicians in the land of samba, bossa, chorinho, frevo, axe, and on and on. I have both the earlier softcover edition (heavily underlined and annotated) and the newer Kindle edition. I use them as references for a Brazilian music program that I cohost on a Pittsburgh station. We refer to this little book as "the Bible."
There is so much music from Brazil that Americans have never heard nor heard of. This is WAY past Girl From Ipanema!
I am always fascinated by the impact history has had on the arts and how all performance is both affected and affects history. This book is great read if you love music, dance of perfoming arts in general.
An excellent book for anyone who wants to explore Brazilian music beyond the well-known classics. Helps place current and past musicians in their historical contexts; helps you understand who influenced whom, etc. The book will pay for itself just by helping you guide your ever-growing collection of Brazilian CD's (hard to stop once you get started)!
The Brazilian Sound is good as far as it goes - a who's who list and discography of 20th century Brazilian music. Although, the book has the feel of a junior college textbook, it's written in plain language. It would be a relatively easy read if it were not that a parenthetical list of Brazilian names breaks up every third or fourth paragraph. There are some very informative passages - notably the chapter on Bossa Nova and the "Escolas de Samba" section of Chapter 2. At their best, the authors provide clear and comphrensive explanations of the geneology and sociological context of the music.Unfortunately, unless a person is willing to spend countless shopping hours and a couple of thousand dollars building up collection of Brazilian records, he or she will gain almost no insight from this book into what the music feels like. The authors describe individual works and artists in only vague terms - terms often identical to those previously used to describe others. They beat the term "syncopation" into irrelevance - it's clear only that all Brazilian music is syncopated. The authors habitually refer to folk music genres and song forms ala "Composer X's work is all based on the Y song form..." But they provide no practical examples or definitions of those genres or forms.The authors stridently dumb-down their text, accepting as axiom that one has to "hear it to believe it" and that it is meaningless to describe Brazilian music in technical terms. They generally refrain from even using common musical terms - bar, measure, pulse, key, etc. - to give the reader a clearer understanding of Brazilian rhythmic and harmonic structures. They use few effective musical comparisons or verbal metaphors. It is understandably difficult to describe music in writing. But it is possible. Judicious use of metaphor, comparisions, and technical descriptions would have greatly fleshed out what in the end comes off as a skeletal text.This 1998 edition serves as the update to the first, apparently published in 1990 or 1991. However, the amendments appear to have been quite minor - embodied by an isolated paragraph here and there, and four meager pages in the final "More Brazilian Sounds" chapter. It's as if nothing has really happened in the evolution of Brazilian music since 1990 - an impression that must be wrong.The Brazilian Sound catalogs decent research, but is neither good writing nor effective music history.
This is a very good book to have but it reads more like a dictionary so I use it only for reference. Also it should have an appendix with the lyrics of songs discussed in English. Students find the book a problem because of the two points above..
You could fill a book with all the information I _don't_ know about Brazilian music... In fact, these guys already have! Concise, conversational, informative and very well laid out, this is an exceptionally readable book. Chapters on samba, bossa nova, tropicalia, forro and jazz include focused biographical sketches of dozens of key artists, as well as succinct historical information about the progress of Brazilian music from its European and African folk roots into its bewildering and often beautiful modern offshoots. The book's focus is nonpartisan: although there is plenty of room for aesthetic criticism within the various styles, the authors generally hold their preferences and dislikes to themselves. They do, however, give readers a good sense of which recordings might be best to check out -- an invaluable service considering how little of Brazil's vast musical output makes it to the United States. Highly recommended! Certainly the best English-language guide to Brazilian pop that you will find in print (online is a different matter), this is great for casual listeners and hardcore fans alike.
For anyone with an interest in Brazilian culture and/or music or who needs an immediate upgrade in their musical life, this book is an absolute must. It will introduce you to a host of some of the planet's best musicians and performers, most unknown north of the Amazon. The rhythms, styles and currents of Brazilian music are as diverse as any place in the world, and "The Brazilian Sound" details the origins and practices of the gamut, from bossa nova and samba, to forro, maracatu, axe, frevo, and pagode, the popular wing of samba. The 2009 edition is the best yet, expanding coverage of the pagode scene (one of my favorites) with great anecdotes and details on the Old Guard singers and modern stars like Zeca Pagodinho, and profiles of the seemingly endless crop of stellar female artists--Joyce, Marisa Monte, Vanessa da Mata, Bebel, Adriana Calcanhotta, Maria Rita. With artist interviews, great lyric excerpts (in English), details on the musical instruments (cuica to surdo to cavaquinho), coverage of all the regional musics and on-scene photos, this labor of love really does have everything you want to know about Brazilian music, which is a lot. I'm a longtime Brazilian music nut who learned a lot from this superb new edition.
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